Two parents insert themselves into their son's diary and assume several roles until the diary realizes their presence. As the passages fall apart and the son violently tries to get rid of his parents, a film crew appears-framing specifics-searching for concrete answers to an echoing repression. There is Wind That Blows explores the relationship between, closeted repression, film making, narrative representation, family history and agency. The screening is April 29th at 6:00PM: save the date!
Thursday, April 28, 2011
Wednesday, April 27, 2011
Tuesday, April 26, 2011
Four days left.
Thursday, April 21, 2011
Tuesday, April 12, 2011
Monday, April 4, 2011
Saturday, April 2, 2011
INT. KITCHEN NIGHT
The Painter
by John Ashbery
John AshberySitting between the sea and the buildings
He enjoyed painting the sea’s portrait.
But just as children imagine a prayer
Is merely silence, he expected his subject
To rush up the sand, and, seizing a brush,
Plaster its own portrait on the canvas.
So there was never any paint on his canvas
Until the people who lived in the buildings
Put him to work: “Try using the brush
As a means to an end. Select, for a portrait,
Something less angry and large, and more subject
To a painter’s moods, or, perhaps, to a prayer.”
How could he explain to them his prayer
That nature, not art, might usurp the canvas?
He chose his wife for a new subject,
Making her vast, like ruined buildings,
As if, forgetting itself, the portrait
Had expressed itself without a brush.
Slightly encouraged, he dipped his brush
In the sea, murmuring a heartfelt prayer:
“My soul, when I paint this next portrait
Let it be you who wrecks the canvas.”
The news spread like wildfire through the buildings:
He had gone back to the sea for his subject.
Imagine a painter crucified by his subject!
Too exhausted even to lift his brush,
He provoked some artists leaning from the buildings
To malicious mirth: “We haven’t a prayer
Now, of putting ourselves on canvas,
Or getting the sea to sit for a portrait!”
Others declared it a self-portrait.
Finally all indications of a subject
Began to fade, leaving the canvas
Perfectly white. He put down the brush.
At once a howl, that was also a prayer,
Arose from the overcrowded buildings.
They tossed him, the portrait, from the tallest of the buildings;
And the sea devoured the canvas and the brush
As though his subject had decided to remain a prayer.
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